Review of Bavarian Radio Symphony Orchestra Concert May 5 2018

History of the Orchestra

Soon after it was founded by Eugen Jochum in 1949, the Symphonieorchester des Bayerischen Rundfunks (BRSO) developed into an internationally renowned orchestra, its fame continuously expanded and fortified by its intensive touring activities. The orchestra owes its extraordinarily broad ranging repertoire and sound spectrum to the program preferences of its previous chief conductors every bit well as to the great flexibility and solid stylistic security of each individual musician.

Fostering new music has an especially long tradition at the Symphonieorchester des Bayerischen Rundfunks with appearances in conjunction with the "musica viva" serial, founded in 1945 by Karl Amadeus Hartmann, equally one of the orchestra'southward primary assignments correct from the get-go. At these concerts, Munich audiences have witnessed legendary performances of contemporary works at which the composers themselves more often than not stood on the podium of the orchestra. These included Igor Stravinsky, Darius Milhaud, Paul Hindemith, Bruno Maderna, Pierre Boulez, Hans Werner Henze,  Witold Lutosławski, Krzysztof Penderecki, Cristóbal Halffter, Heinz Holliger, Hans Zender, Karlheinz Stockhausen, Mauricio Kagel, Luciano Berio equally well every bit, more than recently, Peter Eötvös.

The Symphonieorchester des Bayerischen Rundfunks was the only German orchestra with which Leonard Bernstein regularly collaborated for many years. In full general, many renowned invitee conductors, such equally Clemens Krauss, Erich and Carlos Kleiber, Charles Munch, Ferenc Fricsay, Otto Klemperer, Karl Böhm, Günter Wand, Georg Solti, Carlo Maria Giulini, Kurt Sanderling, Wolfgang Sawallisch and Bernard Haitink accept left indelible imprints on the Symphonieorchester in the by. Today, Riccardo Muti, Esa-Pekka Salonen, Franz Welser-Möst, Yannick Nézet-Séguin, Herbert Blomstedt, Daniel Harding and Robin Ticciati number among the pregnant partners who regularly mount the podium in Munich. For many years, the Symphonieorchester has likewise pursued approaches to early music and now collaborates regularly with such experts in historical performance practice as Thomas Hengelbrock, Ton Koopman and Giovanni Antonini.

Besides the many performances and recordings in Munich and other cities in the station's circulate range, extensive concert tours are key components in the everyday life of the orchestra today. Tours have taken the orchestra to nigh every European country, to Asia as well every bit to N and South America. It makes regular appearances in New York'due south Carnegie Hall and in the renowned concert halls in Japan'southward musical capitals. From 2004 to 2019, the Symphonieorchester was the orchestra in residence at the Easter Festival in Lucerne.

A further special feature is the encouragement of up-and-coming young musicians. In conjunction with the ARD International Music Competition, the Symphonieorchester accompanies young musicians both in the last rounds likewise every bit in the symphonic closing concert featuring the prize winners. Since Oct of 2001 the Academy of the Symphonieorchester des Bayerischen Rundfunks has been doing valuable educational piece of work past preparing young musicians for their later careers and thus building a solid span betwixt education and professional activity. Across this, the Symphonieorchester maintains an encouragement programme for young people with many activities designed toward the worthy goal of bringing the younger generation closer together with classical music.

The history of the Symphonieorchester is closely intertwined with the names of its previous Chief Conductors, who were always concurrently Chief Conductors of the Chor des Bayerischen Rundfunks.

The founder, Eugen Jochum, led the orchestra for eleven years (from 1949 to 1960.) He congenital up the orchestra completely with meridian-grade musicians and established the orchestra's worldwide reputation on its initial foreign tours. Munich audiences have him to give thanks for incomparable interpretations of Anton Bruckner'due south symphonies. Also Bruckner Eugen Jochum devoted special attention to the performance of sacred music, and also made regular appearances on the podium of musica viva.

Rafael Kubelík, who headed the orchestra for eighteen years (1961 to 1979), remained closely associated with the orchestra as a guest usher until 1985. He expanded the repertoire to include works by Slavic composers like Smetana, Janáček and Dvořák, also every bit spearheading the crusade of 20th century composers such as Karl Amadeus Hartmann and conducting the first Mahler bike with a German orchestra, which was then recorded. His impulsive, emotional approach to music won the hearts of all the musicians and made the Kubelík era one of the most fruitful ones in the history of the ensemble.

When his already designated successor Kyrill Kondrashin died unexpectedly in Amsterdam, the orchestra turned to Sir Colin Davis, thus gaining a recognized Berlioz specialist as primary conductor (1983 to 1992), who also proved an excellent advocate for the Viennese Classical Era likewise as the works of English composers, peculiarly Edward Elgar, Michael Tippett and Ralph Vaughan Williams.

From 1993 to 2002 Lorin Maazel led the Symphonieorchester. He fix new styles of programming by performing cycles of symphonic works by Beethoven (1995 and 2000), Brahms (1998), Bruckner (1999) and Schubert (2001). He took his leave of his orchestra with a Mahler cycle in 2002.

A new and mutually pleasurable chapter in the history of the Symphonieorchester began in Oct of 2003 when the acknowledged favorite candidate of all the musicians, Mariss Jansons, assumed his postal service as the new Master Conductor of the Chor and the Symphonieorchester des Bayerischen Rundfunks. In no time, he succeeded in creating an atmosphere of the highest artistic standards and a close emotional tie with the orchestra. He regularly received enthusiastic reviews both for his concerts in Munich and the many guest appearances in the leading musical capitals of Europe, America and Japan. Mariss Jansons placed item accent on the works of Beethoven, Bruckner, Mahler, Strauss and Shostakovich. This era, which was particularly fulfilling and significant for both sides, ended with his death on Dec 1, 2019.

Mariss Jansons continued to expand the orchestra's vast discography with a high number of CD releases. Completing his Shostakovich cycle with various major orchestras, the Symphonieorchester des Bayerischen Rundfunks contributed Symphonies Nos. 2, 3, 4, 12, 13 and fourteen. The recording of the 13th Symphony received a Grammy in the category of "Best Orchestral Performance." Since 2009, the Symphonieorchester des Bayerischen Rundfunks has been releasing CD'southward and DVD's on Bavarian Broadcasting's ain label, BR-KLASSIK.

In a number of different surveys of music critics, the Symphonieorchester des Bayerischen Rundfunks has numbered amid the summit ten orchestras in the world, in the 2008 orchestra ranking by the British music magazine "Gramophone" (6th place) and in the Japanese music mag "Mostly Classic" in 2010 (4th place).

The Symphonieorchester des Bayerischen Rundfunks got awarded the "Preis der Deutschen Schallplattenkritik" (Award of German Record'due south Review) for Antonin Dvorak's Symphony No. 9 conducted past Andris Nelsons. In February 2016, the product of the "Missa solemnis" by Ludwig van Beethoven nether the direction of Bernard Haitink was nominated for the GRAMMY with choir and symphony orchestra of the Bayerischer Rundfunk. For the recording of the 3rd Symphony by Gustav Mahler under the management of Bernard Haitink, the orchestra was awarded the BBC Music Award in April 2018. The recording of Bruckner's Symphony No. 8, conducted by Mariss Jansons received the "Preis der Deutschen Schallplattenkritik" in 2018. Rachmaninoff's "The Bells", directed past Mariss Jansons, was awarded in Apr 2018 past the British "Gramophone Mag" and the French magazine "Diapason d'Or". The recording of Shostakovich'due south Symphony No. 10 conducted by Mariss Jansons received the "Preis der Deutschen Schallplattenkritik" (Honor of German Record'due south Review) in 2020.

Mariss Jansons conducted his last concert with the BRSO on November 8, 2019 at the Carnegie Hall in New York. Just a few weeks later, on December 1, 2019, Mariss Jansons passed away in St. Petersburg at the age of 76.

On January iii, 2021, Sir Simon Rattle signed an initial v-year contract as the new Primary Usher of the Symphonieorchester des Bayerischen Rundfunks and the Bavarian Radio Chorus get-go with the 2023/24 concert season. The conductor, who is appreciated worldwide for his creative seriousness, compelling charisma, openness and versatility, made his debut with the BR Chorus and BRSO in 2010 with Schumann's "Paradise and the Peri". Right from the very showtime, Simon Rattle and the musicians of the BRSO have enjoyed an extraordinarily deep musical understanding, so that the musicians of both ensembles voted overwhelmingly in favor of Simon Rattle every bit their new chief conductor.

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Source: https://www.br-so.com/orchestra/history-brso-orchestra/